About
The Intersection of Motion, Systems, and Innovation
I am a Senior Motion Designer with over 15 years of experience bridging the gap between high-end visual craft and scalable brand systems. My career is focused on creating motion frameworks for global leaders like Verizon, where I drive the integration of new tech into national social and retail campaigns.
Why I Design
I believe motion is a brand's most powerful native language. Whether I am building modular design systems for strategic partnerships with Disney+ and Netflix, or managing complex 3D integration for the NFL and FIFA, my goal is to create workflows that are as smart and scalable as the final pixels are beautiful.
Technical Strategy
My current focus is on high-velocity AI filmmaking. I specialize in a hybrid pipeline that merges traditional Cinema 4D (Redshift) craft with tools like Google Veo 3 through Flow and Nano Banana 2. By using these systems for things like character consistency and fast scene generation, I can deliver cinematic content at the speed of social media without losing that "hand-crafted" quality.
As digital ecosystems evolve, I am actively expanding my workflow into Product Motion Design and interactive runtime animation. By mastering advanced interaction design systems and Rive (including state-machine logic and runtime asset optimization), I am bridging the gap between traditional cinematic storytelling and responsive, code-driven UI frameworks.
Recognition & Impact
My work has been recognized with honors like an ADC Gold Cube for "The Met: Replica" and a Shorty Award for Verizon's "Couch Cam."
This dedication to craft extends beyond the screen. I am a passionate clay jewelry designer, which helps me stay connected to the tactile side of design. When I’m not in the studio, I co-lead my daughter’s Girl Scout troop, helping mentor the next generation of creative problem-solvers.